| U.S. Choas Line ups according to date: 1982 Gary guitar, HC guitar, Jack bass, Spiky drums, Ron vocals. Late 1982 Gary guitar, HC guitar, Jack bass, Gene drums, Skully vocals. Late 1983 Gary guitar, HC guitar, Jack bass, Spiky drums, Skully vocals. 1984 Gary guitar, Jack bass, Spiky drums, Skully vocals. 1984 Gary guitar, Hot Shot (NY Violators) guitar, Jack bass, Spiky drums, Skully vocals. Late 1984-85 Hot Shot guitar, Jack bass, Spiky drums, Skully vocals. 1985 Gary guitar, Hot Shot guitar, Jack bass, Eddie Enzyme drums, Skully vocals. 1986 Gary guitar, Mark Beer guitar, Jack bass Eddie Enzyme drums, Skully vocals. Late 1986 Gary guitar, Mark Beer guitar, Jack Bass, Jade drums, Skully vocals. 1987 Mark Beer guitar, Gary guitar, Tim Taylor bass, Jade drums, Skully vocals. Present lineup is: Skully vocals, Gary Guitar, Jack bass and Eddie drums. |
AN INTERVIEW:
(AC) I Look back about 20 years, to the time when punk was in its infancy, The time was around 1979. The time when everyone was wondering what was going to happen to music, let alone to themselves, All we could see was a gas shortage, hostages in Iran, an imminent threat of apocalypse, due to mass stockpiles of unused nukes. A generation, of disaffected, wasted youth were thrown into a heap of the forgotten trash, to be left to the demise of boredom and fight for their lives against the age old quote their parents and society held them down. "That's the way it's supposed to be, don't ask questions do what your told".
Music, had sunk to the level of disco infected minds, preyed upon by the mass media and MTV, had not yet sucked its first drop of blood from our culture. Bands such as THE EXPLOITED, 999, THE SEX PISTOLS, JOHNNY THUNDERS and THE RAMONES. The Sex Pistols had fallen apart under immense pressure and drugs. Steve Jones the pistols old guitarist had just hooked up with a new breed of band, they happened to be called KRAUT, they were from New York City. Then there were another bunch of hoods called U.S. CHAOS they were from Paterson, a large city in northern New Jersey, a very ugly and rough one (voted as the most un-friendly city in the USA ten years standing with a crime rate that rivals the South Bronx NYC.
Music had done a 360 degree turn from the shit of the early 70's. were on the forefront of explosion. Clubs such as Maxs Kansas City, The Rock Hotel, The 1018 club, City Gardens, The Dirt Club, The Ritz and CBGBs and City Gardens, were the stomping ground for many of us. The United States had not really yet felt the initial shock of the British invasion that the Americans had caused, by unleashing the Ramones. This shock hit Europe and bounced right back to the states like a fucking shock wave from an atomic blast triggering a holocaust for media and the music industry. On the top were, U.S. CHAOS.
Formerly known as the RADICALS, whose members included first line-up guitarists of Agnostic Front and The Violators. Agnostic front would find guitarist Alex Kinen later after he left during the punk / hardcore split to eventually join Cause For Alarm. This is where the eppinial split occurred. U.S. CHAOS, were in their infancy, with guitarist Gary Rightmeyer, Spike chaos, Skully chaos and Jack Gibson on bass. Playing on any stage they could find, Chaos drew a crowd of disaffected kids. This crowd usually would overflow to the street and not so quietly settle to rain terror in local areas the band was gigging in. These kids became known as THE CHAOS PUNKS and were very loyal even till today most of the "kids" still come out to shows. They usually show the new ones what gets done in the pit with bloody consequence! This second guitarist would be "H"
U.S. CHAOS pushed for any show, packed the
house and tore it down. Equaling or exceeding
the likes of stage presence monsters like
IRON CROSS who evolved from the discord house
in DC with MINOR THREAT. GBH, DISCHARGE or
THE EXPLOITED their English gig mates. Overpowering
the clubs with the large amount of equipment
(in mass usually of a few cabinets carted
in and bolted together. Deafening the audience
with nuclear deterrent bass and guitars.
The vocals were the most threatening of all,
the drawn out vocals of skully just pressing
you, to do somthing about anything you can
get your hands on to destroy.
(Gary
Chaos) Most of the time the
band opened with
"Message Of Love", a ditty
dedicated to the nerve gas attacks in
Pakistan inflicted by the
menacing Russian
government and "Im An American". The undertones, of our own hated
American government, which were tongue-and-cheek,
caused an accidental attraction (of aggravating
but small), moronic right -wingers to come
to shows and circulate rumors of annoyance,
this was dealt with accordingly and in an
orderly fashion, thus leaving the foolish,
with a strong taste of
pain and disapproval in their
mouths! U.S. CHAOS, has always pushed the fascist
attitude back in the face of the oppressor.
Guitarist Gary commented to me one day about
this saying, "Unfortunately
people believe what they
want to believe, who
knows what the hell they
do with your music once
you release it, this should
be a lesson to
everyone else in a band too."
Like any
good thing, most people that
arent invited
to the party complain and
whine or try to crash
your party and thats
when things get ugly.
They seem to have no time
for people of this
kind, or for that matter
who the hell should ?
(Gary
Chaos) An exceptional sound
was created and a
feeling was evoked, a message
was sent. Too many
people were egging the band
on, to release an
album. This album would set
off a shockwave that
would stun and torment the
music industry until
this very day. Due to the
ramifications of being
an unsigned band and let
alone you were punk, the
industry obviously felt threatened
by chaos was
trying to silently do away
with their kind, the
punk kind. Being a D.I.Y.
band, the idea had
never occurred or really
been relevant (our
cronies were KRAUT (NYC)
and IRON CROSS (DC)
which kept the connection
between the states
going with constant performances
and destruction
that have even forced The
Exploited from a hotel
or two..
(AC)
So in Fall of 1982, U.S. CHAOS went off to record their
first album, this album being, "Weve Got
The Weapons". "We went to a studio in New
Jersey, we were actually there a week before the Misfits
recorded Walk Among Us. It was a notable studio, In the
sense that we noted they recorded car commercial, radio
ads, shit you hear in everyday life on the radio. It was
also expensive. We had no Idea how or what the hell
wed do once we got in the place and being 1983, the
cost was outrageous, upwards of $80.00 an hour, remember
we didnt know anything about putting out a record.
Nobody back then did, you only got that when you were a
signed act, with a contract."
Then Hot-Shot came along, to compliment the stunning guitar front of the band. Formerly of "THE NEW YORK VIOLATORS" gave the band even more clout and standing in the east coast scene. The band gained a second guitarist.
(AC) Of the few sparse show encounters Chaos played during its hiatus in the 1990s The band put out as much power and terror (and draw of violence) than usual and still proved to be one of the meanest outfits on the small bills they played, always dragging controversy wherever they were. Someones eye was watching them for almost 15 years and was heavily influenced by their music and power. This person was Marty Munsch, prominent "Phil Spector" of punk and owner of PUNKROCKRECORDS. Munsch sighted Chaos and immediately asked Gary if they were interested in keeping the chaos thing going, about recording new material. Thus some type of a deal was struck. Munsch was noted for recording at least 25 releases by the time he was 20 years old. This included many bands from the east coast. Working closely with Violent Society, Trauma School Dropouts, The Suspects and a host of all time heavies. Notable records, a few brilliant recordings I adore, "East Coast Assholes", "Not Enjoyin It" by Violent Society and "Dawn Of The 21st Century" by the washington D.C. group "The Suspects"
A month
later two new songs appeared on the
CMJ, off a
compilation out of California, "PUNK
DWELLINGS-NEW YORKS FINEST". Breathing fire with
two new tracks, "For Being Young" and
"Last Call For Alcohol". Another
compilation, from Connecticut, features
The Stranglers
cover "Bring In The Neubiles" and the
very rare, "Shut Up", these tracks have
gotten approval from original band
members! (Elevator
Records CT- The owner of the TUNE-INN)
Versions of these
tracks exist with the first singer
whom was English and a
bit more harsh than Skully, (They
will never be heard).
Tracks "PANTIES" & "STORMTROOPER",
Were recorded along with another
track! The track being
an EXPLOITED tribute, "FUCK
THE U.S.A.". For radical records NYC, this track
was reworded to fit Chaos's own sick and
twisted thoughts about what everyone has
to say about the USA. Then on to the next
big thing, another album "You Can't
Hear A picture". And Still more recordings
flew from the studio in 1999, along with
about 35 releases for compilations out
of
nowhere the new album had evolved and a
slew
of vintage archives found daylight.
We moved into different territory towards
the end of the 1990's, It seemed that most
of the lyrical content was becoming very
dated and really has become played out
and
communist terror was mopped up when the
wall
was torn down. We were wrong! We still love to take the piss out of the
people who take their music to damn seriously.
Those fanatics who preach hate. People
that
still complain about punk like these coalition
fringe groups, they really make us laugh
Just have fun, use music to stay young
and
remember all the fun you are having and
give
it to your kids if you have any!!!
The Current U.S. CHAOS LINEUP:
Skully: VOCALS
Gary : GUITAR
Jack: BASS
Eddie Enzyme: DRUMS

U.S. Chaos would like to thank the following
members for
many years of support from the following
bands
involved in history of punk and skinhead
Oi! History
Go to U.S. CHAOS site.